SEN and Art: for anyone working with SEN children.

Today was an exciting one for many of us at school. We had The Animal Man visit with his marvelous selection of rain forest animals including the third oldest honey bear in the world (who incidentally only had one eye), a gorgeous lime green and turquoise chameleon, a fluffy albino skunk, a python and another strange mammal resembling a raccoon whose name has escaped me.

The children absolutely loved the hour long session of petting, cuddling, holding and experiencing these wonderful animals. And a few or our children with SEN came along too and needless to say had a whale of a time. One particular child that responded very enthusiastically to the animals was someone I have the pleasure of working with three afternoons a week. She has Downs Syndrome and therefore needs an adult to facilitate her learning experience throughout all aspects of her school day.

I usually spend afternoons facilitating her inclusion in the first lesson of the afternoon after which we enjoy some music therapy. However this afternoon I and her teacher decided that her experience with The Animal Man was so exciting that we should use it as an opportunity to develop her speech, language, presentation and drawing skills. Although normally almost all lessons are thoroughly inclusive we felt that this particular activity was best done one to one. So the little girl and I found a free table, set up our art materials and began the best half an hour we’d had for the longest while.

I had taken general photos of her, the animals and close up shots of detailed parts of the animals too. I showed her printed out copies of these in colour and asked her to chose her favourite one. Here’s what she chose.


Barn owl

For some reason the owl fascinated her. I explained to her that we would be drawing some of the animals we met in the morning, using the photographs to help us. Then we would show the rest of the class and tell them about the Animal Man and his animals. She understood this and was very excited about the prospect of ‘showing’ it to the class. Her class teacher also explained to her that this was a special project that she was doing and that the teacher expected her to be a ‘good girl’ and do ‘good work’.

I then asked her to hold the fat graphite stick and on the corner of her large A3 paper she explored some mark making. Having done this I explained that she must listen really carefully to everything I said. She agreed that she would and we began. I talked her through every step, every line and every brush stroke. Sometimes I used sounds, words, repetitive phrases to help describe the direction of a line or curve. For example, make this line ‘like a whoosh’, or ‘do a curvy line ROUND like this’ (using my finger to show the shape and direction) She would not only follow my instruction but would also copy the sound I made as she did it.

Sometimes she would make a strange and inaccurate shape, partly due to lack of fine motor skills and other times due to wanting to do it herself. If that happened I would rub it out and ask her to try again. Twice she asked to ‘paint now’ but I enthusiastically reminded her that there was just a LITTLE BIT MORE to do. Having completed the graphite drawing we the picked up our thick paint brush. We talked about the difference between the thick water colour brush and the thin one. She can spot the difference and choose the correct one. She then wet it, wiped off the excess water and gently brushed the point of it on the palm of her hand, copying me as I did. She loves sensory stimulation and really liked feel of the soft wet brush on her hand saying it was ‘tickly’.

I then talked her through how to mix the colours. We used a water colour set with the hard blocks of colour. I would describe in simple words and instructions as I mixed the colours and she loved copying me. We began with a simple colour wash over the wings. She identified several colours such as white, gray and brown which I praised and then checked she knew which part of the owl she was painting. When I pointed to the wings to check she knew what they were called she referred to them as ‘flap’. We talked a little about the main sections of the owl (head, body, wings, tail) and looked at the colours she could identify.

The step by step, stage by stage we washed over the owl, mixed darker/ lighter colours to add detail on top of the base washes for the eye, wing and feathers, feet and fluffy legs. Here’s the finished result. She is 8 years old.

Barn Owl SEN

You may ask what she actually learnt from this exercise. Well, firstly extending concentrations levels, we spent 35 minutes on this without a break. Following instructions carefully and with focussed attention, understanding parts of the owl’s body, learning new vocabulary, beginning to identify two types of yellow (lemon yellow and yellow ochre), executing a piece of work from its beginning to the finished product, trying again when its not right, internalizing the basic processes of painting (washing out the brush, wiping off excess water, mixing different colours to produce a third colour, looking at an object and matching colours with it).

To extend the linguistic side of this activity we then used the excitement she had about showing it to the class to focus her speaking and presentation skills. We talked about what she would say to the class. She practiced for 5 minutes the following sentence. ‘I painted a barn owl’. She couldn’t remember the word ‘barn’, so I explained what a barn was and made a few jokes when she got it wrong which quickly encouraged her to get it right. She then presented it to the Year 3 class and teacher whilst saying the sentence word for word without any sign prompts from me.

The next step is to use the sentence we created today to extend her reading skills. I will print out the sentence twice and get her to match the words to each other first. Then once she is familiar with the words she can then read them on their own, pointing to each one as she reads it.

I have written about my afternoon with this little girl because I felt I learnt a lot about the positive way art can be used to enhance the SEN curriculum as well as personal targets. This technique could be simplified and adapted for different learning needs and abilities. For example a child with interests in music could use percussion instruments to learn a simple musical rhythm or rhyme which could then be performed, spoken about, written about or read about. Children with restricted movement can be guided by the adult, physically take their hand gently in your own and describe the movement you make with the graphite and repeat this movement for a while. Then ask them to try it for them selves. See what happens, perhaps there will be a little step of improvement. Everything is about the little tiny steps that lead to something big over time. Often touching an interesting object, feeling it, engaging with it really helps to stimulate interest which can then be channelled towards further learning activities.

Here are some more pictures of smiles and engaged teachers/kids with The Animal Man

IMG_1127 IMG_1146 IMG_1157 IMG_1167 IMG_1205Rosie corn snake Rosie python Rosie spider

Five Creative Spring Activities To Do With Younger Children

It’s a lovely time to get out and about when there’s a little more sun, a longer day, and a fresh spring feel in the air. Here are some lovely activities to do with young children that cost you next to nothing and encourage them to get off the X-box and start thinking creatively.

1) Go Rambling

Rambling is the name I use in my house for going out walking through rough, country side and getting pretty dirty, muddy and on the odd occasion rather bedraggled and wet.

‘How is that fun?’ I hear you ask: Well actually, we often spend quite a lot of our time preventing our children for getting dirty, muddy etc Rambling can be seen as a time when you completely allow them to enjoy themselves without you controlling their movements and dirt levels. If they temporarily lose their shoe in a muddy puddle and their sock gets soaked-bite your tongue and say ‘Oh well, we’ll change when we get home’.

Maybe you played out side as a child? Perhaps you derived a great deal of pleasure from digging outside, heading off over fields, exploring empty urban landscapes with your mates, playing 40 40 in the woods near your house. These are pleasures our children rarely have the chance to enjoy now, what with the dangers of fast moving traffic and untrustworthy strangers.

What we do when we go rambling. Well, we explore far and wide-they lead and I follow. Sometimes we take a picnic, or hot chocolate and biscuits, we collect natural objects, examine things, photograph things the children find interesting. They climb trees, collect mossy bark, build branch shelters, dig holes, find badger sets and bunny warrens, bird spot with binoculars, make twig and rubber band sling shots, and branch & string bows and arrows, play pooh sticks in streams, collect pond water and keep tadpoles and make up spy game adventures.

What I do when we go rambling. I go along with their weird and wonderful ideas (mostly). I sometimes get bored and Facebook, but mostly I try to stay engaged and use this as a moment to actually engage with the boys on their terms instead of on mine.

They absolutely love it!

2) Make Nettle Soup

Maybe you have nettles in your garden, or a little green down the road or maybe you’re lucky enough to have fields or woods near you. Either way, nettle soup is always a good immune boosting super food to make for your family.

Firstly go out and pick those nettle tops. Go for young new shoots at the top of the plant, these are the most tender and make the best soup. Equip you and your children with rubber gloves, a pair of scissors and a plastic bag. I’m usually in charge of cutting the nettles and the boys find it quite exciting to collect the nettles as I cut them and put them into the bag. They also love scouting on ahead to find really juicy nettle patches to harvest.

A bag of nettles

NB Make sure you collect nettles that are not near cars or a road as they will be full of pollutants. Cut the tender tops, not too far down the tough stem. Check that the area isn’t full of dog’s droppings (obviously). You can find nettles in shaded areas under trees and bushes. Wash them thoroughly and sort out any foreign leaves/bugs.

Washing nettles for soup

Cream of Nettle soup recipe:

I boiled a whole chicken to make a stock then roasted it. I used the stock, 4 cloves, a chopped onion, 2 bay leaves and one big potato in the soup. I boiled these first until the potato was nearly cooked then added the washed nettles for two minutes. Add crushed garlic and blend until smooth. I added low fat creme fraiche to make it creamy but single cream is lovely too. This soup is very similar to spinach soup but a little greener perhaps. It’s full of iron so make sure you consume with orange juice or something high in vitamin C to ensure the iron gets absorbed by everyone’s bodies. Serve with roasted chicken and potatoes and a big salad. Delicious!

Nettle Soup

3) Make a Mini Terrarium

Spring is a nice time to watch things grow so this is a project you could make as big or small as you want. Get your kids to collect interesting pieces of mossy bark, stones, empty snail shells, etc. Collect two empty bottles-I used some clean, old jam jars with the labels cleaned off. You could also use an old unused fish tank, a glass flower vase or something plastic if your kids aren’t good with glass like a clear 2 ltr coke bottle.

Have them put some soil into the bottom of the jar. We found two types of different coloured soil in our garden and they liked to see the strata of the soil in their jar. They then arranged their mossy bark, snail shell and other collected items on the soil in their jar and then planted a plant/seed in the soil as well. I had an old aloes plant that just keeps having babies so I used two of the babies for the boy’s terrariums. You could buy a packet of seeds for as little as 75 pence and use one of them instead.

IMG_1057 IMG_1058 IMG_1060

For more ideas and bigger projects see these links here and here. For a low maintenance version, use cacti instead and abandon to a forsaken windowsill!

4) Go and Visit a Farm

This can be a cheap option if you research around a bit.  Some farms have spring open days where you can come and visit, pet/feed some baby animals, and buy some produce too or have a tea and cake. Here’s the link to Willowbrook Farm that does just this in Oxfordshire, UK. Other farms ask you to pay a little money but when you consider the day’s fun is cut out with petting and feeding baby animals, playing, exploring and sometimes mucking in with farm activities it’s well worth the pennies. Some farms may also have fruit/veg picking as well which is an added bonus. You can eat as much as you like whilst picking and then buy a punnet/bag of the produce to be polite. My boys love to dig up carrots with a big farmer’s fork. And obviously late spring/early summer’s first strawberries are a delight.

Rectory farm-has a great cafe, bouncy castles on w.e., Free entry, PYO (picking), farm shop. Farmer Gows- baby animals, hay bale treasure hunts, kids activities. Millets Farm Centre-PYO, garden centre, great ice cream, cafe, farm animals, Free entry play ground, sand pit, fields.

Although visiting a farm is not strictly creative in the obvious sense, I believe that providing the experiential information for your child is invaluable for fueling future creative activities. Seeing a baby rabbit, feeling it, holding it and looking into it’s shiny, big, black eyes will give your child that first hand information about a bunny which cannot be obtained through a book. Further creative activities that can stem from a farm visit include writing a story from one of the animal’s point of view, modeling a farm animal from clay, creating a collage using a selection of junk mail cuttings. Why not build a model farm out of different sized junk boxes, lollipop sticks for the fence, clay model animals, cotton wool and toilet paper trees-painted green, glue some sand or tiny stones for the paths and straw for the thatched roof etc. Paint/draw animals in the style of this by Picasso, or Joan Miro’s rooster below.

Rooster by Miro

5) Spring Painting

Just like Ratty in the Wind in the Willows, spring is a great time for a change to our surroundings and one fun way to do this is to paint. There are some cheap and easy ways to change children’s rooms and I will include some here.

Buy a paper lantern (my local Wilkinsons UK do small ones for less than £2) and use a black marker to draw patterns on it. You can all work on it at the same time or take turns doing different jobs. Colour the patterns in in using either acrylic paints or easier still sharpies or felt tip pens. You can create very colourful patterns that look great when you put the light up. There are other things you could do like cut petals out of tissue paper and stick these in a pattern over your paper lantern. You could look at Japanese blossom prints and do your own Japanese inspired lamp shade.

DIY paper lantern decoration

DIY paper lantern decoration

Another way to change the look of a room is to paint furniture. Even painting draw knobs can add a fun and personal touch to a boring set of draws. We did this to all the draw and door knobs in our kitchen. I drew the pattern and the boys painted it, they were quite good and just occasionally I would have to go over the black lines where they had smudged. We used acrylic paints on wooden knobs and then varnished them with several layers of craft varnish.

decorate door knob

If you really wanted to go all out you could paint the walls of their room and let them help, what about a jungle scene? Or maybe buy/make some plain curtains and then fabric paint/spray them? Or tie die them? What about getting two cheap canvasses from a charity shop and have your children do a painting (Mondrian style) that will then go up on their wall as decoration? Sew decorations onto a pillow case to personalize their bed space. Make hangings to stick from the ceiling. Card board birds with paper wings that can hang from string.Try black paper shapes/birds/flowers with small shapes cut out, stick tissue paper over the small shapes on one side to give a stained glass effect. Display these stained glass pieces on the window to catch the spring sunshine.

I hope that these activities inspire and help a few parents to get involved with their children’s creative side. I know it can be hard to find the time to spend with them but remember, very soon they’ll be all grown up!

Creative Nerves

I feel excitement when someone asks me to create a piece of art work for them, whether it is art jewellery, ceramics or something else I never get over the secret and pleasurable thought that somebody actually values my work enough to ask me to create more of it. 

I suppose, this felling must be felt by all artists to varying degrees. But I wander if perhaps when fame and success take over, whether this combination of satisfaction and excitement still remains or perhaps a touch of self importance takes over. Perhaps this feeling of excitement  is important to the creative process and helps to intensify the creative energy. The ‘secret’ pleasure of being valued gives the artist a sense that they are appreciated and compels them to continue creating.

There is also a quiet nervousness, it’s so hidden away but as they say…a little bit of nerves are good! I think the nerves of an artist are better termed creative nerves. I feel that it is the creative energy bubbling away beneath, just waiting to be allowed out in full force. Rather like a wild cat waiting to pounce upon its prey, so the creative energy within me is poised and ready to be called upon without time constraints or inhibitions to check its process.

“…Our deepest fear is not that we are inadequate. 
Our deepest fear is that we are powerful beyond measure.
It is our light, not our darkness that most frightens us.
We ask ourselves, Who am I to be brilliant, gorgeous, talented, fabulous? 
Actually, who are you not to be? 
You are a child of God.
Your playing small does not serve the world.
There is nothing enlightened about shrinking so that other people won’t feel insecure around you. 
We are all meant to shine, as children do.
We were born to make manifest the glory of God that is within us. 
It’s not just in some of us; it’s in everyone.
And as we let our own light shine, we unconsciously give other people permission to do the same.
As we are liberated from our own fear, our presence automatically liberates others.”

Having observed myself in this new state of quiet creative nervousness, I then recall the speech written by Marianne Williamson in her book A Return To Love. There is a fear, a reluctance to freely create. Often these shackles to the creative process can be practical such as money, undervalued talent, lack of time, but at other times they can be deeper rooted than this. Artists can be held back by the establishment, social norms, trends, cliches and ‘trying to be different’. To feel liberated from our own fear, the creative process has to be excited, inspired and explored so that it can shine with natural uniqueness and flair.

Creative nerves are a small stimulus that can begin that process of inspiration and exploration and can lead an artist into fresh, new ground. 

Carpe Diem

People have often asked me at craft fairs and events why I have absolutely no men’s art jewellery on offer and to be honest I’ve had absolutely no answer for them. The fact is that it never crossed my mind to make jewellery for men. My father has never worn jewellery, nor does my husband so I just didn’t consider it.

Having decided that I would make a start on my men’s jewellery range I did a little research on ‘art jewellery men’ only to discover that there isn’t much out there at all. The only place of quality and interest was here but you’d have to have between $150-500 pocket money to get one of these crocodile cuffs. So apart from a few well made, art jewellery cuff links, or horrifically expensive designer men’s jewellery it was all rather uninspiring.

So I have made a start to my men’s collection beginning with the handsome and fiery shades of copper and then in gold plated wire and lastly in genuine, python snake skin.

men cu pendent sculpture

A heavy wire sculpture on the chest. Eight has great significance as a symbol and if turned upon its side represents infinity whilst turned straight, symbolizes the finite. This symbol can therefore represent the interplay between the finite and the infinite within man and can be a reminder of this when hanging on the chest.

men bracelet cu black

Copper wire shapes intersperse between hematite barrels to form this male bracelet. It would look great paired with a chunky watch; a casual-black-graphic t-shirt and jeans.

men's carpe diem men's carpe diem bracelet

This wrist band has the words Carpe Diem, latin for ‘Pluck the day’ or ‘Seize the day’. This is a famous phrase which is part of a longer saying which advises us to ‘pluck the day, with as little concern for the future’, in other words seize the moment and use it now rather than wait for later-which may never come.

men live now pendent

A fiery copper pendent with watch-part gears riveted to the lower part and the words ‘live now’ above. This is a heavily textured and patinated piece with lots of symbolic meaning that emerges the more you look at it. The watch gears are a reminder of the passage of time, which links nicely with the statement ‘live now’. The piece will antique further with wear and so changes itself,over time.

men gold cuff link

Sculpted, gold plated wire squiggle cuff links. These sit beautifully on the shirt cuff and would add a rich subtle shimmer of class to any suit.

mens python snake skin cuff lnks

Quirky and unique, these genuine python skin cuff links would be a fantastic gift for any jewellery hating man.

If you have any helpful comments, please feel free to drop me a line. Feedback is always much appreciated.

Recycled Python Skin Cuff Links

These cuff links are hand sewn, black, python skin with a felt backing. The skin was used to make a designer bag or belt, then discarded and found it’s way to Orinoco in Oxfordshire. I rescued it from Orinoco and then began researching what kind of skin it was. How excited I was when I discovered that I had saved the remnants of some genuine black, python snake skin, and there is enough to make quite a few pieces of wearable art.

Here are the cuff links in python skin, with felt, brass rivets, and gold plated link.

mens python snake skin cuff lnks

men python snake skin cuff lnk

men python snake skin cuff lnk.

The skin was surprisingly easy to sew and rivet, it has a strong leathery smell and varying sizes and shapes of scales. The upper surface is very shiny and the under side is mat, slightly suede like but not particularly soft as some leathers are. The scales show through on the under side and the skin is fairly thin so I feel it needs to have a metal or fabric backing to keep it firm.

These Cuff links are on sale in my face book shop here.

Here are some other python skin, designer items that I came across.

CHRISTIAN LOUBOUTIN LOUIS PYTHON CRYSTAL MENS FLAT